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VIEWS THROUGH A WINDOW

Having painted a representation of eight randomly drawn together individuals I realised that I wanted a break from painting random individuals.


I always wanted a break from that - relatively cubist I suppose - style. Shock horror, I also wanted to leave the canvas free of words, to not write a poem. 


Instead, the idea was/is to provide a visual recollection of an emotional feeling at a particular moment. Like when you open a blind or a curtain, walk in or out of a door. Did you want to dance, punch someone, cry or start a cultural revolution?


So, the process was far removed to what came before it. I like flirting - like yet to be used grated cheese in a bowl - between this style and the other. The energy is completely different. My rented floor fucking hates it though. Swings and roundabouts.